THEATRICAL MILLINERY AND COSTUME PROPS
FEATHER HEADDRESS - 'TURANDOT'
DESIGNER - Joanna Parker
OPERA NORTH (Photo by Tristam Kenton)
I have worked professionally as a theatrical milliner and costume prop maker for over twenty nine years, both in-house and freelance. I collaborate closely with costume designers, costume supervisors and production teams to turn designs and ideas into beautifully made, practical pieces for performance. From historically accurate period millinery to fantasy headdresses and unusual costume props, I love the challenge of bringing a designers vision to life. I work from my home studio based in North Leeds, West Yorkshire and often work remotely on projects.
Alongside my professional practice I have also shared my millinery and costume prop knowledge through teaching. I was an Associate Lecturer teaching BA Millinery Electives at Leeds College of Art for three years and have also taught millinery and costume special effects at the Northern College of Costume and Hull College
THEATRE | OPERA | BALLET | FILM | TELEVISION | EVENTS |TEACHING
OPERA NORTH | LEEDS PLAYHOUSE | GLOBE THEATRE | NORTHERN BALLET | THE PRINCE OF WALES THEATRE | GRANGE PARK OPERA | ITV | LEEDS CITY VARIETIES | TUTTI FRUTTI | ZUOZ GLOBE ZURICH | BIRMINGHAM REPERTORY THEATRE | MANCHESTER ROYAL EXCHANGE | SHEFFIELD CRUCIBLE | LEICESTER CURVE THEATRE | ENGLISH HERITAGE | NATIONAL CIRCUS FESTIVAL | LEEDS YEAR OF CULTURE 2023 | BRADFORD CITY OF CULTURE | LAPLAND UK | MSC WORLD AMERICA | THE ALPINE THEATRE COMPANY and many more......
SKILLS AND TECHNIQUES
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MATERIALS - felt|straw|sinamay|crin|buckram|leather|fabrics
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STRUCTURAL - millinery blocking|wire|thermoplastics|plastazote|pattern cutting
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DECORATIVE - beading|embroidery|applique|embellishments|jewellry adaption
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COSTUME AND SPECIAL EFFECTS - fabric|shoe dyeing|ageing|costume special effects|fabric manipulation
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PROCESS
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FROM SKETCH TO STAGE - I work from costume designer sketches, references, historical research or an initial concept
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DEVELOPMENT - I discuss materials, construction, scale, movement, durability and practical requirements
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MAKING - The piece is constructed using strong and sturdy techniques so the hat/headpiece/costume prop lasts
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FITTING AND REFINEMENT - Where required I work with the costume team to fit and refine the piece
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FINISHED FOR PERFORMANCE - The completed piece is made not only to look right but to function within the demands of the production

FABRIC AND WIRE NURSE HATS - 'THE MAGIC FLUTE'
DESIGNER - Colin Richmond
OPERA NORTH (Photo by Alastair Muir)

1940's STYLE FELT HAT - 'ANNIE'
DESIGNER - Colin Richmond
LEEDS PLAYHOUSE (Photo by Manuel Harlan)
'Alison is undoubtedly one of our best theatrical milliners. A joy to work with and her end product is always sublime in its finish and detail. She's a true crafts woman and artist and there's no challenge that she doesn't relish and deliver on.'
COLIN RICHMOND - Costume and Set Designer

SUEDE BERET - 'OTHELLO'
DESIGNER - Stephen Snell
LEEDS PLAYHOUSE (Photo by Donald Cooper)

FELT HATS - 'THE HANGING MAN
DESIGNER - Stephen Snell
LEEDS PLAYHOUSE
'I have had the great pleasure of knowing Alison for twenty five years and worked closely with her in professional theatre for fifteen of those. In all that time she as demonstrated her exceptional skills as a craftswoman and milliner with impeccable finish, good taste and creativity and totally reliable, Alison has never missed a deadline. Since expanding into special occasion millinery and headpiece design and production as 'Alison Mary Millinery' she has further shown her exquisite delicacy of touch with wit and charm that clearly gives joy to all her clients'
STEPHEN SNELL - Former Head of Wardrobe and Costume Designer at Leeds Playhouse
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1930's STRAW HAT - 'STREET SCENE'
DESIGNER - Francis O'Conner'
OPERA NORTH (Photo by Clive Barda)

FELT, STRAW AND FABRIC COVERED HATS - 'THE MADNESS OF KING GEORGE'
DESIGNER - Francis O'Conner
LEEDS PLAYHOUSE
'Alison is a brilliant milliner and collaborator. From fancy to fantasy, demure to delectable she can conjure pretty much anything. It's always joyous seeing what she creates'.
FRANCIS O'CONNER - Costume and set designer

FABRIC COVERED HAT - THE THIRTY NINE STEPS'
DESIGNER - Mike Britton
LEEDS PLAYHOUSE

ORGANZA FLOWERS - 'TIS PITY SHE'S A WHORE'
DESIGNER - Mike Britton
LEEDS PLAYHOUSE
'Alison has worked on productions I have designed at Leeds Playhouse, from beautiful 1920's hats to organza flowers for a 1950's wedding dress and many things in between. Always precise, meticulous and creative, her talents are only restricted by your own imagination.'
MIKE BRITTON - Costume and Set Designer


FABRIC AND LACE RUSSIAN HEADDRESS - 'THE SNOW MAIDEN'
OPERA NORTH
VELVET HEADDRESS WITH FABRIC POM POM - 'L'ENFANT'
DESIGNER - Hannah Clarke
OPERA NORTH
'Alison's work is never less than immaculate. Her attention to detail and exquisite finish ensures that every piece of millinery becomes a veritable work of art. It's always a pleasure to work with her and her creations are always perfectly realised.'
STEPHEN RODWELL - Former Head of Wardrobe at Opera North

SILK FABRIC COVERED BUCKRAM HAT - 'TRIAL BY JURY'
DESIGNER - Gabrielle Dalton
OPERA NORTH

1940'S STYLE FELT PERCHER HAT - 'TRIAL BY JURY'
DESIGNER - Gabrielle Dalton
OPERA NORTH
'I love working with Alison. She has made everything from countless cowboy hats to beautiful, intricate 1930's tilt hats. All done with great skill and attention to detail'
GABRIELLE DALTON - Costume and Set Designer

SPRAYED VARAFORM HEADDRESS - 'EDMUND DE BERGERAC'
DESIGNER - Robert Innes Hopkins
BIRMINGHAM REP THEATRE

FEATHER TRIMMED STRAW HAT - 'THE IMPORTANCE OF BEING EARNEST'
DESIGNER - Isla Shaw
BIRMINGHAM REP THEATRE
'Alison has made hats for Birmingham Rep for a number of years. Her work is always of a high quality and delivered within deadline. It's great to know we can send her a design and that she will always work out the best way to achieve the finished item'
KAY WILTON - Head of Wardrobe at Birmingham Rep

VARIOUS FABRIC COVERED HATS - 'MY FAIR LADY'
DESIGNER - Paul Wills
SHEFFIELD CRUCIBLE
'I've been lucky enough to collaborate with Alison on a number of productions. A real artist who can take a sketch of an idea and bring it to life with care, details, making it more fabulous than you would imagine! Sensitive and thoughtful, with a huge knowledge base makes her one of our leading milliners'
PAUL WILLS - Costume and Set Designer
HAVE A PRODUCTION OR PROJECT COMING UP? I'D LOVE TO HEAR FROM YOU....


WORBLA CLOWN NOSES
CARTOON CIRCUS LIVE
WORBLA CLOWN NOSE AND MOUSTACHE
CARTOON CIRCUS LIVE
'Alison made some wonderful clown noses for us. Great quality and speedy/delivery. We work with a lot of prop and costume designers but Alison's service and product quality is beyond great! We look forward to working with her again for future projects'
ELLIOT ROWELL - Cartoon Circus Live / Lemon Jelly Panto's
Whether you need a single specialist piece or a collection of hats, headdresses or costume props I would be happy to discuss your requirements. Please get in touch with the following -
Production name
Production/project dates
Deadlines
Costume Designer/Production Company
What you need
Quantity needed
Drawings, sketches or reference images

